presentation byCorry Shores
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Ch.5
Peaks of Present and Sheets of Past: Fourth Commentary on Bergson
Peaks of Present and Sheets of Past: Fourth Commentary on Bergson
Pointes de présent et nappes de passé (quatrième commentaire de Bergson)
2cWelles and Nietzsche: Life, Becoming and Power of the False
Welles et Nietzsche : vie, devenir et puissance du faux
[...] The frog is the truthful animal because it believes in pacts and contracts. But, in practice, there are only fluctuating 'partners' ('You talk as if there was a kind of contract between us, but there isn't, we are partners here', Touch of Evil). [...] [Deleuze Cinema 2, 1989: from ft.20 p.295]
[…] La grenouille est l’animal véridique, parce qu’elle croit aux pactes et contrats. Mais, en fait, il n’y a que des « partenaires » fluctuants (« Vous parles comme s’il y avait entre nous une sorte de contrat, mais non, nous sommes ici des partenaires », Touch of evil). […] [Deleuze Cinéma 2, 1985: from ft.19 p.184]
Deleuze, Gilles. Cinema 2: The Time Image. Transl. Hugh Tomlinson and Robert Galeta. London & New York: 1989.
Deleuze, Gilles. Cinéma 2: L'image-temps. Paris: Les éditions de minuit, 1985.
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