At the Public Bath. Howard Hawks. El Dorado

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At the Public Bath

Howard Hawks

El Dorado

Gilles Deleuze

Cinema 1

Cinéma 1

Ch X. The Action-Image: The Small Form

Ch X. L'image-action : La petite forme

2a

The Western in Hawks: functionalism

Le western chez Hawks : le fonctionalisme

Everyone enters and passes through the room where the sheriff is having a bath, as though it were a public place (El Dorado). [Deleuze, Cinema 1, 1986:170bc]

Tout le monde entre et passe dans la pièce où le shérif prend un bain, comme sur une place publique (« El Dorado »). [Deleuze Cinéma 1, 1985:228]

[Clip should play, even though the screen is blank until the button is pressed.]

Deleuze, Gilles. Cinema 1: The Movement-Image.Transl. Hugh Tomlinson & Barbara Habberjam, London: Continuum, 1986

Deleuze, Gilles. Cinéma 1: L'image-mouvement. Paris: Les éditions de minuit, 1983.

For Whom the Bell Shoots, Hawks, El Dorado, Empty Church Function

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[The following is quotation]

For Whom the Bell Shoots

Gilles Deleuze

Cinema I

Chapter 10:

The Action-Image

The Small Form

Section 2a:

The Western in Hawks: functionalism

featuring

Howard Hawks

El Dorado

First of all, the locations lose the organic life which encompassed them, traversed them and situated them in a set: the purely functional prison in Rio Bravo does not even need to show us its prisoner; the church in El Dorado no longer bears witness to anything but an abandoned function; the town of Rio Lobo is reduced to 'a diagram, now only showing functions, a bloodless town condemned by the weight of a past'. (169d, emphasis mine)

Deleuze, Gilles. Cinema 1. Transl. Hugh Tomlinson & Barbara Habberjam, London: Continuum, 1986.

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