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A Jury's Hanging
Gilles Deleuze
Cinema 2: The Time Image
Cinéma 2: L'image-temps
Chapter 6: The Powers of the False
Chapitre 6: Les puissances du faux
2. From the point of view of narrations
(truthful and falsifying narrations)
2. Du point de vue des narrations
(narration véridique et narration falsifiante)
It is not simply a matter of pointing out the difficulty of reaching the true, taking into account the shortcomings of the investigation and of those who judge (this will again be the case in Lumet’s Twelve Angry Men). [Deleuze Cinema 2, 1989:134a]
Il ne s’agit pas simplement de marquer la difficulté d’atteindre au vrai, compte tenu des insuffisances de l’enquête et de ceux qui jugent (ce sera encore le cas de « Douze hommes en colère » de Lumet). [Deleuze Cinéma 2, 1985 :180bc]
Deleuze, Gilles. Cinema 2: The Time Image. Transl. Hugh Tomlinson and Robert Galeta. London & New York: 1989.
Deleuze, Gilles. Cinéma 2: L'image-temps. Paris: Les éditions de minuit, 1985.
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