presentation by Corry Shores
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[The following is quotation. My commentary is in brackets. Image credits given below. Please let me sincerely thank the sources.]
[Central Entry Directory]
[Cinema Entry Directory]
[Filmmakers, Entry Directory]
[John Ford, Entry Directory]
[Search Blog Here.]
[The following is quotation. My commentary is in brackets. Image credits given below. Please let me sincerely thank the sources.]
Chromes of Green
John Ford
How Green Was My Valley
Gilles Deleuze
Cinema I
Cinéma 1
Chapter 9. The Action Image: The Large Form
Chapitre 9. L’image-action : la grande forme
1. From situation to action: ‘secondness’
1. De la situation à l’action : la « secondéité »
When colour takes possession of this world, it follows a chromatic scale where it diffuses, and where the saturated [saturé] resonates with the faint [lavé] (we will rediscover this ambiant colour in the artificial sets of Ford's How Green Was My Valley). [Deleuze Cinema I, 1986:150b]
Quand la couleur s'empare de ce monde, c'est suivant une gamme chromatique où elle diffuse, et où le saturé résonne avec le lavé (on retrouvera cette couleur ambiante dans les décors artificiels de « Qu'elle était verte ma vallée » de Ford). [Deleuze Cinéma 1, 1985 :202b]
[While we will not see color in these clips, let's examine instead Ford's chromatic grey scale palate that suggests color variations].
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Deleuze, Gilles. Cinema 1: The Movement-Image.Transl. Hugh Tomlinson & Barbara Habberjam, London: Continuum, 1986
Deleuze, Gilles. Cinéma 1: L'image-mouvement. Paris: Les éditions de minuit, 1983.
Image 1
Image 2
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