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[The following is quotation. Image credits below. Thank you source.]
Deadly Forking
Joseph Mankiewicz
Cleopatra
Gilles Deleuze
Cinema 2: The Time Image
Cinéma 2: L'image-temps
Chapter III. From Recollection to Dreams: Third Commentary on Bergson
Chapitre III. Du souvenir aux rêves (troisième commentaire de Bergson)
2c: The two poles of the flashback: Carné, Mankiewicz
2c: Les deux pôles du flash-back : Carné, Mankiewicz
Finally, in Cleopatra, it is Cleopatra who has become the eternal forking woman, devious, capricious, while Mark Antony (now played by Burton) is simply a prisoner of his insane passion [....] He too will die without understanding what has actually happened, although he rediscovers Cleopatra's love in a final fork by her. [51b]
Dans « Cléopâtre », enfin, c'est Cléopâtre qui est devenue l'éternelle bifurcante, la fourchu, l'ondoyante, tandis que Mark-Antoine (maintenant joué par Burton) n'est plus que livré à son amour fou [....] Lui aussi mourra sans comprendre ce qui a pu se passer, bien qu'il retrouve l'amour de Cléopâtre dans une ultime bifurcation de celle-ci. [73d]
Deleuze, Gilles. Cinema 2: The Time Image. Transl. Hugh Tomlinson and Robert Galeta. London & New York: 1989.
Deleuze, Gilles. Cinéma 2: L'image-temps. Paris:
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ReplyDeletehttp://academichack.net/humanite.htm#_ftnref1
An Incomplete Investigation: L’humanité
Michael Sicinski
An Incomplete Investigation: L’humanité
I. The Detective in the Mud