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[Central Entry Directory]
[Cinema Entry Directory]
[Filmmakers, Entry Directory]
[Martin Ritt, Entry Directory]
Native Blend
Martin Ritt
Hombre
Gilles Deleuze
Cinema 1
Cinéma 1
Ch X. The Action-Image: The Small Form
Ch X. L'image-action : La petite forme
2b. The Neo-Western and its Type of Space (Mann, Peckinpah)
2b. Le néo-western et son type d'espace (Mann, Peckinpah)
the Indians no longer appear at the top of the hill outlined against the sky, but spring up from the tall grass, from which they were indistinguishable. The Indian almost blends into the rock behind which he waits (Martin Ritt’s Hombre) [Deleuze, Cinema 1, 1986:171b]
les Indiens n’apparaissent plus en haut de la colline en se détachant sur le ciel, mais jaillissent des hautes herbes dont ils ne se distinguaient pas. L’Indien se confond presque avec le rocher derrière lequel il attend (« Hombre », de Martin Ritt) [Deleuze Cinéma 1, 1985:229b]
Deleuze, Gilles. Cinema 1: The Movement-Image.Transl. Hugh Tomlinson & Barbara Habberjam, London: Continuum, 1986
Deleuze, Gilles. Cinéma 1: L'image-mouvement. Paris: Les éditions de minuit, 1983.
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