Monday, 15 June 2009

For Whom the Bell Shoots, Hawks, El Dorado, Empty Church Function

presentation by Corry Shores

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[The following is quotation]


For Whom the Bell Shoots


Gilles Deleuze

Cinema I

Chapter 10:
The Action-Image
The Small Form

Section 2a:
The Western in Hawks: functionalism

featuring

Howard Hawks

El Dorado


First of all, the locations lose the organic life which encompassed them, traversed them and situated them in a set: the purely functional prison in Rio Bravo does not even need to show us its prisoner; the church in El Dorado no longer bears witness to anything but an abandoned function; the town of Rio Lobo is reduced to 'a diagram, now only showing functions, a bloodless town condemned by the weight of a past'. (169d, emphasis mine)


video


Deleuze, Gilles. Cinema 1. Transl. Hugh Tomlinson & Barbara Habberjam, London: Continuum, 1986.


Image from: http://thisdistractedglobe.com/wp-content/uploads/2006/09/El%20Dorado4.jpghttp://thisdistractedglobe.com/wp-content/uploads/2006/09/El%20Dorado4.jpg


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