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[The following is quotation]
For Whom the Bell Shoots
Gilles Deleuze
Cinema I
Chapter 10:
The Action-Image
The Small Form
Section 2a:
The Western in Hawks: functionalism
featuring
Howard Hawks
El Dorado
First of all, the locations lose the organic life which encompassed them, traversed them and situated them in a set: the purely functional prison in Rio Bravo does not even need to show us its prisoner; the church in El Dorado no longer bears witness to anything but an abandoned function; the town of Rio Lobo is reduced to 'a diagram, now only showing functions, a bloodless town condemned by the weight of a past'. (169d, emphasis mine)
Deleuze, Gilles. Cinema 1. Transl. Hugh Tomlinson & Barbara Habberjam, London: Continuum, 1986.
Image from: http://thisdistractedglobe.com/wp-content/uploads/2006/09/El%20Dorado4.jpghttp://thisdistractedglobe.com/wp-content/uploads/2006/09/El%20Dorado4.jpg
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